
Tom Hanks stars as the American attorney tasked with negotiating the release of a U-2 spy plane pilot who was shot down over Russia at the height of the Cold War in this historical drama from DreamWorks Studios. Steven Spielberg and Mark E. Platt produce a film written by Matt Charman. ~ Jason Buchanan, Rovi
About Bridge Of Spies
Artist : Mark Rylance, Domenick Lombardozzi, Victor Verhaeghe, Brian Hutchison, Tom HanksAs : Rudolf Abel, Agent Blasco, Agent Gamber, FBI Agent, James B Donovan
Title : ♪Gratis♪ Jouer Bridge Of Spies Netflix
Release date : 2015-10-16
Movie Code : 3682448
Duration : 135
Category : Biography, Drama, History
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Comment For Bridge Of Spies En Entier Film

Bridge of Spies is solid and uplifting, but it doesn't extend Spielberg's range.

An absorbing true-life espionage tale very smoothly handled by old pros who know what they're doing.

Bridge of Spies connects Cold War paranoia to today's terror. That's a bridge worth building.

In his fourth pairing with Hanks, Spielberg again examines the furtive face of justice and issues another masterful ruling.

"Bridge of Spies" isn't conventionally exciting, and isn't intended to be. Instead, it's satisfying-thoroughly and pleasurably so.

Steven Spielberg's period drama works as glossy entertainment but also draws subtle parallels to the present.

For all Spielberg, his star-packed cast, led by Tom Hanks, and his on-screen and off-screen team (Joel and Ethan Coen co-wrote the screenplay) bring to the table, Bridge of Spies is remarkable only for how stuffy and surprisingly inert the film becomes.

"Bridge of Spies" is a consummate professional's tribute to a gifted amateur, a smooth entertainment with a strong but subtle political subtext that's both potent and unexpected.

It's the very definition of meat and potatoes: While not phenomenal, especially compared to the rest of the Spielberg oeuvre, Spies still hits the spot.

Spielberg can't help but make the kind of inspiring, classically constructed drama that we keep being told Hollywood doesn't produce anymore. Thank goodness he still does.

Using a screenplay polished and honed by the Coen Brothers, Spielberg dips into John le Carre territory .

Like everything about Spielberg's "Bridge of Spies," Hanks' performance makes relaxed professionalism and genial decency look easy.

If you can overlook the three or four endings, each more overdone than the last, there's a lot to like here.

The skill with which Hanks navigates the intricacies of the plot amount to some of the best work of his career.

Apart from Hanks, and an understated, scene-stealing turn by Mark Rylance as the Soviet spy Abel, Bridge of Spies mostly settles for being solidly told and atmospheric.

When the titles of the five-plus films nominated for best picture are announced, it will be a surprise if Bridge of Spies doesn't make the cut.

Spielberg and Charman frame Donovan as a thin bulwark against the American government's attempts to work around its own supposed ideals at the height of the Cold War.

A film that is so old-fashioned and comforting that, for much of the time, watching it feels like cuddling up under a soft good-movie blanket.

It's a riveting film and I understood every word.

Despite its genre constraints, "Bridge of Spies" is among Spielberg's finest achievements - and a reminder that the past is much more than just a repository for nostalgia.

In terms of the director's oeuvre, this will likely be remembered as one of his "minor" productions. (Think Always, The Terminal, and War Horse.)

A riveting, feel-good time for the whole family .

I liked the movie a lot - it's one of Spielberg's most measured and most adult films in years, with production values every bit as good as you'd expect.

Hanks has never seemed more like a modern Jimmy Stewart, drink in hand, just looking to get home to his bed, as the script leans into its cavalcade of slightly bizarre negotiations with Eastern European goons.

Bridge of Spies, which waxes poetic - and occasionally cynically - on patriotism, honor, and duty, echoes in your mind long after the credits roll and begs for a second viewing.

Steven Spielberg's latest is a solid, quietly made drama carefully wrapped around a civics lesson.

"Bridge of Spies" is a moral drama driven by an insurance lawyer. That it works at all is a miracle - or would be, if anyone other than St. Steven were involved.

Tom Hanks lends his considerable Honest John appeal to this fascinating cold war drama.

Who doesn't like to cozy up to an old-school spy thriller that knows how to build tension and tighten it?

An ode to holding fast to moral principles, geopolitics be damned, becomes a hurrah for old-fashioned big-screen storytelling.

There are no extraneous elements in this carefully structured docudrama, which juxtaposes East and West with parallel scenes and emulates vintage Hollywood fare as painstakingly as it reconstructs 1957 Brooklyn and 1962 Berlin.

This is a film that, though its story (inspired by true events) begins in 1957 and spans a period of about five years, uses that era to hold a mirror to our own.

A mature drama that demands rapt attention and prefers studied execution over frenetic pacing.

A crackling Cold War espionage thriller that thrums with suspense and fleet precision.

Sober but stirring .

It's a salute to nostalgic, idealistic patriotism that Norman Rockwell, Frank Capra and Jimmy Stewart would applaud. With Franz Kafka.

Rylance's performance is particularly interesting as he infuses Abel's dry understatements on his predicament with just the right dose of quiet irony.

This intriguing story of a high-level swap of spies is virtually unknown today - but the film is inspirational enough that viewers might do their own out-of-theatre research and learn a lot more.

Spielberg's best since 'Saving Private Ryan' stars a flawless Tom Hanks in an engrossing old-school thriller.

Bridge of Spies has been described as a minor work from a major filmmaker, but the film is too personal to dismiss as a curiosity, and its overall theme blends right in with many of Spielberg's previous pictures.

Steven Spielberg is so smooth, so good at what he does, that his best movies have a way of seeming inevitable, when they're the furthest thing from it.

Hanks and Rylance deliver golden performances as natural combatants who find common cause in seeking honest justice, even if only they realize it.

The details of the story in Bridge of Spies are specific to their time, but the broader conflicts from which they stem remain pertinent.

"Bridge of Spies" is, like most of Mr. Spielberg's films, a consummate entertainment that sweeps you up with pure cinema.

When a film is as enjoyable as this one, its timing so sweet, and its atmosphere conjured with such skill, do you really wish to register a complaint? Would it help?

Authentic re-creations of the period, including duck-and-cover clips about a nuclear holocaust that frightened young students, serve as a reminder of a time, not unlike our own, when the threat of terror kept a steady and disturbing beat.
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